Dr. Daniela Berghahn

Geb. 1957, Professor seit 2011, #London, Großbritannien/Nordirland

German Studies - Anderes Fachgebiet (siehe Forschungsgebiete) (Fachgebiet) - Deutscher und europäischer Film; vor allem DEFA, zeitgenössischer Film; transnationales Kino in Europa, insbesondere deutsch-türkischer Film; Film der Weimarer Republik. (Lehrgebiet)

Kontaktinformationen:

University of London, Royal Holloway - Department of German, Royal Holloway, University of London - Egham Hill, Egham, Surrey TW20 0EX

Department of Media Ars (NICHT German Department an Royal Holloway)

Forschungsgebiete #Medienwissenschaft, Medientheorie, Mediengeschichte

Besondere Forschungsgebiete

• Deutscher Film von 1945 bis zur Gegenwart
• Film in der DDR (DEFA)
• Migrationskino in Europa, vor allem deutsch-türkisches Kino
• Die Darstellung des Nationalsozialismus und des Holocaust im deutschen Film.

Monographien

• Far-flung Families in Film: The Diasporic Family in Contemporary European Cinema (Edinburgh University Press, forthcoming 2013)
• Hollywood behind the Wall: The Cinema of East Germany (Manchester University Press, 2005)
• German Studies in Transition, Daniela Berghahn, Eva Kolinsky und Thomas Scharf, Cambridge: EBA, 1997

Aufsätze und Beiträge

• Aufsätze: 'Queering the family of nation: Reassessing fantasies of purity, celebrating hybridity in diasporic cinema', Transnational Cinemas, 2:2 (2011), 126-149
• ‘Remembering the Stasi in a fairy tale of redemption: Florian Henckel von Donnersmarck’s Das Leben der Anderen’, Oxford German Studies, special issue From ‘Stasiland’ to ‘Ostalgie’: Remembering the Stasi 20 Years On, hg. Karen Leeder, 38:3 (2009), 321-333
• ‘Turkish German dialogues on screen’ New Cinemas, Special issue Turkish German Dialogues on Screen, hg. Daniela Berghahn, 7:1, (2009), 3-9
• ‘From Turkish greengrocer to drag queen: Reassessing patriarchy in recent Turkish German coming-of-age films’, New Cinemas, Special issue Turkish German Dialogues on Screen, hg. Daniela Berghahn, 7:1, (2009), pp. 55-69
• ‘Do the right thing? Female allegories of nation in Aleksandr Askoldov’s Komissar (USSR 1967/1987) and Konrad Wolf’s Der geteilte Himmel (GDR 1964)’, Historical Journal of Film, Radio and Television, 26:4 (2006), 561-577
• ‘No place like home? Or impossible homecomings in the films of Fatih Akin’, New Cinemas, 4:3 (2006), 141-157
• ‘Post-1990 screen memories: how East and West German cinema remembers the Third Reich and the Holocaust’, German Life and Letters, 59:2, 2006, 294-308
• ‘“Leben… ein Blick genügt doch“: Der utopische Augenblick in Wim Wenders’ road movies’, Monatshefte, 91:1 (1999), 64-83; ‘Fiction into film and the discourse of fidelity: A case study of Volker Schlöndorff's re-interpretation of Homo Faber’, German Life and Letters, 49:1 (1996),72-87
• Beiträge in Anthologien: ‘“Seeing everything with different eyes”: The diasporic optic in the films of Fatih Akin’, New Perspectives in German Cinema, hgg. Paul Cooke and Chris Homewood, London and New York: I. B. Tauris, 2011, 235-252
• ‘Resistance of the heart: Female suffering and victimhood in DEFA’s antifascist films’, Screening War: New Perspectives on German Suffering, eds. Paul Cooke und Marc Silberman, Rochester: Camden House, 2010, 165-186
• ‘Locating migrant and diasporic film’, Daniela berghahn und Claudia Sternberg, in: European Cinema in Motion: Migrant and Diasporic Film in Contemporary Europe, hgg. Daniela Berghahn und Claudia Sternberg, Basingstoke: Palgrave 2010, 13-49