Geb. 1957, Professor seit 2011, London, Großbritannien/Nordirland
German Studies - Anderes Fachgebiet (siehe Forschungsgebiete) (Fachgebiet)
- Deutscher und europäischer Film; vor allem DEFA, zeitgenössischer Film; transnationales Kino in Europa, insbesondere deutsch-türkischer Film; Film der Weimarer Republik. (Lehrgebiet)
Kontaktinformationen:
University of London, Royal Holloway - Department of German, Royal Holloway, University of London - Egham Hill, Egham, Surrey TW20 0EX
Department of Media Ars (NICHT German Department an Royal Holloway)
Andere dienstliche Anschrift Department of Media Ars (NICHT German Department an Royal Holloway)
Migrationskino in Europa, vor allem deutsch-türkisches Kino
Die Darstellung des Nationalsozialismus und des Holocaust im deutschen Film.
Monographien
Far-flung Families in Film: The Diasporic Family in Contemporary European Cinema (Edinburgh University Press, forthcoming 2013)
Hollywood behind the Wall: The Cinema of East Germany (Manchester University Press, 2005)
German Studies in Transition, Daniela Berghahn, Eva Kolinsky und Thomas Scharf, Cambridge: EBA, 1997
Aufsätze und Beiträge
Aufsätze: 'Queering the family of nation: Reassessing fantasies of purity, celebrating hybridity in diasporic cinema', Transnational Cinemas, 2:2 (2011), 126-149
‘Remembering the Stasi in a fairy tale of redemption: Florian Henckel von Donnersmarck’s Das Leben der Anderen’, Oxford German Studies, special issue From ‘Stasiland’ to ‘Ostalgie’: Remembering the Stasi 20 Years On, hg. Karen Leeder, 38:3 (2009), 321-333
‘Turkish German dialogues on screen’ New Cinemas, Special issue Turkish German Dialogues on Screen, hg. Daniela Berghahn, 7:1, (2009), 3-9
‘From Turkish greengrocer to drag queen: Reassessing patriarchy in recent Turkish German coming-of-age films’, New Cinemas, Special issue Turkish German Dialogues on Screen, hg. Daniela Berghahn, 7:1, (2009), pp. 55-69
‘Do the right thing? Female allegories of nation in Aleksandr Askoldov’s Komissar (USSR 1967/1987) and Konrad Wolf’s Der geteilte Himmel (GDR 1964)’, Historical Journal of Film, Radio and Television, 26:4 (2006), 561-577
‘No place like home? Or impossible homecomings in the films of Fatih Akin’, New Cinemas, 4:3 (2006), 141-157
‘Post-1990 screen memories: how East and West German cinema remembers the Third Reich and the Holocaust’, German Life and Letters, 59:2, 2006, 294-308
‘“Leben… ein Blick genügt doch“: Der utopische Augenblick in Wim Wenders’ road movies’, Monatshefte, 91:1 (1999), 64-83; ‘Fiction into film and the discourse of fidelity: A case study of Volker Schlöndorff's re-interpretation of Homo Faber’, German Life and Letters, 49:1 (1996),72-87
Beiträge in Anthologien: ‘“Seeing everything with different eyes”: The diasporic optic in the films of Fatih Akin’, New Perspectives in German Cinema, hgg. Paul Cooke and Chris Homewood, London and New York: I. B. Tauris, 2011, 235-252
‘Resistance of the heart: Female suffering and victimhood in DEFA’s antifascist films’, Screening War: New Perspectives on German Suffering, eds. Paul Cooke und Marc Silberman, Rochester: Camden House, 2010, 165-186
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