E-Mail-Adresse:
Forschungsgebiete:
Besondere Forschungsgebiete:
- Deutsches Theater im 18. und 19. Jahrhundert
- Historische Probenprozesse
- Georg Büchner, inkl. Aufführungsgeschichte
- Frauen im Theater
- Dramaturgie
- Übersetzung von Theaterstücken
- Brecht in Australien
Monographien: Laura Ginters and Barbara Campbell, eds. 2002. Barbara Campbell: Flesh Winnow, A Retrospective Survey. Sydney: Power Publications.
Aufsätze und Beiträge:
- 2017 (forthcoming) “Before The Ham Funeral: ‘the YOUNG MAN appears’. John Tasker returns home.” Australasian Drama Studies Journal (October) 71
- 2017 (forthcoming) “Agamemnon in the Antipodes” in Marguerite Johnson, ed. Antipodean Antiquities. London: Bloomsbury
- 2017. “Es lebe die Revolution? Dantons Tod on Stage in the 21st Century”. Pp223-43 in Robert Gillett, Ernest Schonfield & Daniel Steuer, eds. Georg Büchner: Contemporary Perspectives. Amsterdamer Beiträge zur neueren Germanistik. Leiden & Boston: Brill
- 2016. “‘Good Woman should have been done in one of our big theatres long before this.’ Brecht, the students, and the making of the New Wave of Australian theater”. Brecht Yearbook (2015) 40: 168-86
- 2015. “SUDS and Agamemnon” Programme essay for Sydney University Dramatic Society (SUDS) 125th anniversary production of Agamemnon. 22 May 2015, Great Hall, University of Sydney
- 2013. “Australian Women Theatre Directors” Pp18-30 in International Women Stage Directors, eds. Anne Fliotsos and Wendy Vierow. Carbondale: Southern Illinois University Press
- 2013. “Glimpsing the Hidden World: Australian Theatre Directors in Rehearsal”. Pp45-78 in Our Australian Theatre in the 2000s, eds. James Thomas and Richard Fotheringham. Amsterdam and New York: Rodopi
- 2012. “Georg Büchner – A Selective Stage History”. Pp235-56 in Georg Büchner: A Norton Critical Edition, ed. Matthew Smith. New York: W.W. Norton
- 2010. “On Audiencing: The Work of the Spectator in Live Performance”. About Performance 10 “The Work of the Spectator in Live Performance”: 7-14
- 2009. “‘A Continuous Return’: Tristan and Isolde, Wagner, Hollywood and Bill Viola”. “Early Europe”, Special Issue of Screening the Past, Issue 26: http://www.
latrobe. edu. au/ screeningthepast/ current/ current. html
- 2008. “‘Wir sind das Volk!’ How a failed revolutionary wrote about the French Revolution – and thereby helped cause one 154 years later. Georg Büchner’s Dantons Tod on the German stage.” Pp165-98 in Where Culture and Politics Intersect: German Theatre and Reunification, ed. Denise Varney. Bern: Peter Lang
- 2008. Laura Ginters, Michael Cohen and Paul Dwyer. “Performing Sorry Business: Reconciliation and Redressive Action.” Pp76-93 in Victor Turner and Contemporary Cultural Performance, ed. Graham St John. New York: Berghahn Books
- 2008. “Wagner and the Little Ballet Master that Could”. In “Being There: After.” Proceedings of the 2006 Annual Conference of the Australasian Association for Theatre, Drama and Performance Studies, ed. Ian Maxwell. Online refereed publication (no pages given) in collaboration with Sydney eScholarship & Sydney University Press: http:/
/ ses. library. usyd. edu. au/ handle/ 2123/ 2470
- 2008. “Lindy Davies: Finding a Path to a Process. A Profile and Interview.” Part 2, Australasian Drama Studies (ADS) 52 (April) 85-96
- 2007. “Lindy Davies: Finding a Path to a Process. A Profile and Interview” Part 1, Australasian Drama Studies (ADS) 50 (April) 78-90
- 2006. “‘And there we may rehearse most obscenely and courageously’: the limits of rehearsal”. About Performance 6 “Rehearsal Studies”: 55-73
- 2005. “Violating the Past: Beatrix Christian”. Pp238-84 in The Doll’s Revolution. Australian Theatre and Cultural Imagination, Rachel Fensham and Denise Varney. Melbourne: Australian Scholarly Publishing. [Shortlisted for the 2006 Australasian Association for Theatre, Drama and Performance Studies (ADSA) Rob Jordan Book Award]
- 2005. “Radio Drama as Music Theatre? Re-defining a Genre in Plays by Noëlle Janaczewska”. In: Radio in the World (Proceedings of The Radio Conference 2005). Melbourne: RMIT Publishing: 482-92: http:/
/ search. informit. com. au/ documentSummary;dn=039687635993131;res=E-LIBRARY
- 2003. “Theatre in Vienna and Berlin: Vision and Scale”, (February-March) RealTime 53 (February-March): 9-10
- 2002. “Aus dem Busch zu Bondi-Beach” (“From the Beach to the Bush”), Zeitschrift für Kulturaustausch 4/02: 55-59
- 2001. Laura Ginters and Kerrie Schaefer, “The more things change, the more they stay the same...? Feminisms and Performance Studies”, Australasian Drama Studies, 39 (October): 104-24
- 1999. “From White Australia to Black Theatre” Pp115-24 in Joachim Fiebach, ed. Theater der Welt/Theater der Zeit Arbeitsbuch, Berlin: Theater der Zeit/Zentrum Bundesrepublik Deutschland des Internationalen Theaterinstituts (ITI)
- 1998. “Robert Wilson’s Dantons Tod at the Berliner Ensemble”, About Performance 4 “Performance Analysis”: 65-75
- 1997. “So this is heaven? I didn’t think there’s be so many blackfellas here.” In: Proceedings of the Australasian Drama Studies Association Conference, Melbourne, July 1997. Also in: About Performance 3 “Theatre as Performance”: 47-57
- 1996. “Georg Büchner’s Dantons Tod: History and Her Story on the Stage”, Modern Drama, XXXIX:4 (Winter): 650-67
- 1995. “From Georg Büchner's Dantons Tod to SUDS’ Danton’s Death”, About Performance 1 “Translation and Performance”: 89-99
Dissertation (Titel): Georg Büchner's Dantons Tod: History and Her Story on the Stage
Dissertation - Jahr der Publikation: 2000
Übersetzungen:
- 2011. David Gieselmann. Mock Rabbit (Falscher Hase). Translation commissioned by the Goethe Institute for playreading and development, Sydney Theatre Company
- 2003. Bertolt Brecht, Threepenny Opera (Die Dreigroschenoper). Literal translation for adaptation by Raimondo Cortese, Company B, Belvoir Street Theatre, 2003. Premiere production: 6 November – 21 December 2003, Belvoir Street Theatre, Sydney. Benedict Andrews, dir. Second production: 28 May – June 19 2010, Malthouse Theatre, Melbourne; 3-24 September 2011, Sydney Theatre Company. Michael Kantor, dir.
- 2001. Laura Ginters and Udo Borgert (translators). Marlene Streeruwitz, New York, New York and Margret Kreidl, Grateful Women (Dankbare Frauen). Pp. 143-96 and 237-64 in Women’s Words. Women’s Works. An Anthology of Contemporary Austrian Plays by Women, ed. U. Borgert. Riverside (California): Ariadne Press
- 1997. Laura Ginters and Udo Borgert (translators). Esther Vilar, Isolde and Tristan (Stundenplan einer Rache). Premiere production: 24 October – 22 November 1997, Harlos Productions, Lookout Theatre, Sydney.
Herausgebertätigkeit:
- 2010. Laura Ginters and Gay McAuley, eds. About Performance 10 Special Issue on Audience. “Audiencing: the Work of the Spectator in Live Performance”
- 2004. Laura Ginters and Keith Gallasch, eds. Australasian Drama Studies, Number 45 (October), Special Issue on Music Theatre
- 2004. Laura Ginters and Gay McAuley, eds. “Hello Wien!” The 8th Annual Rex Cramphorn Lecture by Barrie Kosky. Australasian Drama Studies, 44 (April): 17-35
- 2001. “‘We Want Hope.’ The Power of Indigenous Arts in Australia Today”, The 6th Annual Rex Cramphorn Memorial Lecture by Wesley Enoch, Australasian Drama Studies, 38 (April): 4-15
- 2000. Laura Ginters and Gay McAuley, eds. “Tearing the Cat”, the 5th Annual Rex Cramphorn Memorial Lecture by Neil Armfield and Geoffrey Rush, Australasian Drama Studies, 36 (April): 4-18
- 1999. “Becoming the Change”, The 4th Annual Rex Cramphorn Memorial Lecture by Lindy Davies, Australasian Drama Studies, 34 (April): 3-9
- 1998. “A Passion For Ideas: Black Stage”, The 3rd Rex Cramphorn Memorial Lecture by Rhoda Roberts, Australasian Drama Studies, 32 (April): 3-20
Forschergruppen, Forschungsprojekte : Rehearsal Before the Director: Rehearsal in Europe from 1550-1880 (with Associate Professor Tim Fitzpatrick (University of Sydney); Dr John Golder (University of New South Wales); Professor Tiffany Stern (Royal Holloway, University of London)
Verbindung mit wiss. Gesellschaften : Australasian Drama, Theatre and Performance Studies Association (ADSA); Modern Languages Association (MLA)
Letzte Aktualisierung: Tue Mar 21 01:57:38 2017
