E-Mail-Adresse:
Forschungsgebiete:
Besondere Forschungsgebiete:
- Literarische Mehrsprachigkeit (besonders im Theater)
- Interkulturelle Literaturwissenschaft
- Theater, Performance und Film in interkulturellen und transkulturellen Kontexten
- Rezeptionsforschung und Wirkungsästhetik
- Erinnerung und Gedächtnisforschung
- Narrative Praktiken im Erzähltheater
Monographien:
- Garde, U., Mumford, M. Theatre of Real People. Diverse Encounters at Berlin's Hebbel am Ufer and Beyond. London: Bloomsbury (Methuen Drama Engage) 2016.
- Garde, U. Brecht & Co.: German-speaking Playwrights on the Australian Stage. Bern, New York: Peter Lang, 2007.
Aufsätze und Beiträge:
- Vollständiges Schriftenverzeichnis: https:/
/ orcid. org/ 0000-0002-7357-5433
- Garde, U.'Die Poetik fluider Bedeutungszuschreibungen in der postmigrantischen mehrsprachigen Gegenwartsliteratur: Olivia Wenzels "1000 Seperpentinen Angst" und Yael Ronens "The Situation"', Mehrsprachigkeit in der Literatur: Das probeweise Einführen neuer Spielregeln, A.McMurtry, B. Siller, S. Vlasta (Hg.), Narr Francke Attempto 2023, 203-224.
- Garde, U.,'Spotlight on literary strategies of multilingual (post)migrant drama in the play "The Situation"', Journal of Literary Multilingualism. 1, 2 2023, 240-262, https:/
/ doi. org/ 10. 1163/ 2667324x-20230207
- Garde, U., 'Multilingualism on the Berlin stage: the influence of language choice, linguistic access and opacity on cultural diversity and access in contemporary theatre', Contemporary Theatre Review 2022. 32, 1, 61-80 https:/
/ doi. org/ 10. 1080/ 10486801. 2021. 2007899
- Garde, U., 'Negotiating Unfamiliar Languages and Accents in Contemporary Theatre', in: Garde, U., Severn, J. (Hg.), Theatre and Internationalization: Perspectives from Australia, Germany, and Beyond, London ; New York: Routledge, 2020, 109-127
- Garde, U., Severn, J., 'Theatre(s) and Internationalization(s)', in: Garde, U., Severn, J. (Hg.), Theatre and Internationalization: Perspectives from Australia, Germany, and Beyond, London ; New York: Routledge, 2020, 1-33
- Garde, U., J. Birgfeld, 'Falk Richter and Anouk van Dijk's "Complexity of Belonging": Exploring Internationalisation in Contemporary Theatre, German Life and Letters 71 (3), 353-373
- Garde, U. 'The Stasi Files on Center Stage: Life Writing, Witnessing, and Memory in Recent Performance' , in: V. Glajar, A. Lewis, C. Petrescu (Hg.), Secret Police Files from the Eastern Bloc: Between Surveillance and Life Writing, New York: Camden House, 2016, 178-200.
- Garde, U. 'Ein Spiel mit der Stadt. Die spielerische Durchbrechung von Schemata in 100% Melbourne', in: J.Birgfeld, U. Garde, M. Mumford (Hg.) Rimini Protokoll Close-Up: Lektüren. Hannover: Wehrhahn, 2015: 254-277
- Garde U., M. Mumford. ''Staging Real People: On the Arts and Effects of Non-Professional Theatre Performers', Performance Paradigm, no. 11, 5 - 15, 2015, http://www.
performanceparadigm. net/ index. php/ journal/ article/ view/ 167/ 165.
- Garde, U., Stone, B. 'Von Mutter Courage bis 100% Darwin: Deutschsprachiges Drama und Sprechtheater auf australischen Bühnen', Jahrbuch für Internationale Germanistik, 51.2,2015, 83-96.
- Garde, U. 'Spielräume für Begegnungen mit dem Fremden im Eigenen: Produktive Verunsicherungen in Rimini Protokoll's Call Cutta', in: A. Corkhill, A. Lewis (Hg.) Intercultural Encounters in German Studies. St. Ingbert : Röhrig Universitätsverlag, 2014, 197-216.
- Garde, U. 'Destabilising Notions of the Unfamiliar in Australian Documentary Theatre: version 1.0's CMI (A Certain Maritime Incident)', Portal: Journal of Multidisciplinary International Studies 10 (1, January 2013), http:/
/ epress. lib. uts. edu. au/ journals/ index. php/ portal/ article/ view/ 2450/ 3392.
- Garde, U. 'Reality and Realism in Contemporary German Theatre Performances', in: Dorothee Birke, Stella Butter (Hg.), Realisms in Contemporary Culture. Theories. Politics, and Medial Configurations. Berlin, Boston: De Gruyter, 2013, 178-194.
- Garde, U. & M. Mumford. 'Postdramatic Reality Theatre and Productive Insecurity: Destabilising Encounters with the Unfamiliar in Theatre from Sydney and Berlin', in: J. Carroll, S. Giles, K. Jürs-Munby (Hg.), Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance. London: Bloomsbury 2013, 147-164.
- Garde, U. 'Spotlight on the Audience: Collective Creativity in Recent Documentary and Reality Theatre from Australia and Germany', in: G. Fischer, F. Vaßen (Hg.), Collective Creativity: Collaborative Work in the Sciences, Literature and the Arts. Amsterdam, New York: Rodopi, 2011, 313-328.
- Garde, U. "'Never in body and seldom in spirit": Australian productions of Brecht's plays and their reviews from 1945 to 1988', reprinted in: F.J. Deiters, A. Fliethmann, C. Weller (Hg.), Passagen: 50 Jahre Germanistik an der Monash Universität, St. Ingbert: Röhrig, 2010, 413-446. Erstveröffentlichung: in M. van Dijk. New Essays on Brecht. Brecht-Yearbook 2001, 101-125.
- Garde, U. 'Spaces for performing belonging: The use of lieux de mémoire in Jewish migrant theatre and the work of Barrie Kosky', in: Garde, U. & A.R. Meyer, Belonging and Exclusion: Case Studies in Recent Australian and German Literature, Film and Theatre, Cambridge: Cambridge Scholars Publishing, 2009, 26-44.
Dissertation (Titel): The Australian Reception of Austrian, German and Swiss Drama.
Dissertation - Jahr der Publikation: 2007
Herausgebertätigkeit:
- Garde, U., Severn, J. (Hg.), Theatre and Internationalization: Perspectives from Australia, Germany, and Beyond, London ; New York: Routledge, Taylor and Francis Group, 2020
- Birgfeld, J., Garde, U., Mumford, M. (Hg.), Rimini Protokoll Close-Up: Lektüren, Forum für deutschsprachiges Drama und Theater in Geschichte und Gegenwart 4, Hannover: Wehrhahn, 2015.
- Garde, U. & A.R. Meyer. (Hg.), Belonging and Exclusion: Case Studies in Recent Australian and German Literature, Film and Theatre, Cambridge: Cambridge Scholars Publishing, 2009.
Forschergruppen, Forschungsprojekte :
- "Multilingualism on the Theatre Stage"; ;Multilingualism Research Centre, Macquarie University; ;"Strangers on the Stage: Reality Theatre and the Arts of Encountering the Unfamiliar" (with Dr Meg Mumford, UNSW)
- Creative Documentary Research Centre, Macquarie University
- "Global Literatures and Cultures"; “Film als interkultureller Wissensvermittler" (trilaterale Universitätspartnerschaft zwischen der Universität Hamburg, der Macquarie University, Sydney, und der Fudan University, Shanghai)
Verbindung mit wiss. Gesellschaften :
- German Studies Association of Australia (GSAA)
- Internationale Vereinigung für Germanistik (IVG)
- Modern Languages Association (MLA)
- Languages and Cultures Network for Australian Universities (LCNAU)
- International Federation for Theatre Research (IFTR); Australasian Association for Theatre, Drama and Performance Studies (ADSA)
Stipendien: DAAD Alumna
Zusätzliche Kurzinformationen: 2012 Australian Award for University Teaching
Letzte Aktualisierung: Fri Mar 29 09:14:35 2024
