Katya Krylova, Dr.
Geb. 1984, Senior Lecturer seit 2018, Aberdeen, Großbritannien/Nordirland
German Studies - Anderes Fachgebiet (siehe Forschungsgebiete) (Fachgebiet)
Anschrift: University of Aberdeen - Department of German, University of Aberdeen - Taylor Building, King's College, Old Aberdeen AB24 3UB
Andere dienstliche Anschrift: University of Aberdeen, King's College, Taylor Building A, Aberdeen AB24 3UB, Scotland, UK
Homepage:
https://www.
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Schriftenverzeichnis im Internet:
https://www.
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katya.
krylova/
#publications
E-Mail-Adresse:
Besondere Forschungsgebiete:
- Austrian literature and culture
- Ingeborg Bachmann
- Thomas Bernhard
- Hugo von Hofmannsthal
- Contemporary Austrian literature (Elfriede Jelinek, Anna Mitgutsch, Doron Rabinovici, Robert Schindel, Hanna Sukare)
- Contemporary Austrian film (Ruth Beckermann, Eduard Erne, Margareta Heinrich, Christian Frosch)
- Comparative literary and film studies
- Psychoanalytic and critical theory
- Memory studies
- Visual culture
Monographien:
- Krylova, K., The Long Shadow of the Past: Contemporary Austrian Literature, Film, and Culture (Rochester, NY: Camden House, 2017; pb 2020).
- Krylova, K., Walking Through History: Topography and Identity in the Works of Ingeborg Bachmann and Thomas Bernhard (Oxford: Peter Lang, 2013). Winner of the 2011 Peter Lang Young Scholars Competition in German Studies.
Aufsätze und Beiträge:
- Krylova, K.,'"Unsere mutigen Feiglinge”: Remembrance of Austrian Wehrmacht Deserters in Hanna Sukare’s Schwedenreiter’, Journal of Austrian Studies, 55/3, 2022, 77-109.
- Matthes, F., Osborne, D., Krylova, K., ‘Introduction: Politics and Culture in Germany and Austria Today’, in Matthes, F., Osborne, D., Krylova, K. and Aspioti, M., eds, Politics and Culture in Germany and Austria Today: Edinburgh German Yearbook 14 (Rochester NY: Camden House, 2021), pp. 1-14.
- Krylova, K., 'The Afterlife of Thomas Bernhard in Contemporary Austrian Literature', in Olaf Berwald, Stephen D. Dowden and Gregor Thuswaldner, eds, Thomas Bernhard's Afterlives (New York: Bloomsbury Academic, 2020. New Directions in German Studies series), pp. 23-44.
- Krylova, K., 'Österreichthematik', in Monika Albrecht and Dirk Göttsche, eds, Bachmann Handbuch: Leben – Werk – Wirkung, rev. edn (Stuttgart, Weimar: Metzler, 2020), pp. 289-294.
- Krylova, K., 'Ariadne’s Thread: Storytelling, Digression and Flâneurship in the Recent Films of Ruth Beckermann', in Katya Krylova, ed., New Perspectives on Contemporary Austrian Literature and Culture (Oxford: Peter Lang, 2018. Studies in Modern German and Austrian Literature series), pp. 93-117.
- Krylova, K., ‘Introduction: Contemporary Austrian Literature and Culture’, in Katya Krylova, ed., New Perspectives on Contemporary Austrian Literature and Culture (Oxford: Peter Lang, 2018. Studies in Modern German and Austrian Literature series), pp. 1-24.
- Krylova, K., ‘Ungenach’, in Martin Huber and Manfred Mittermayer, eds, Bernhard Handbuch: Leben – Werk – Wirkung (Stuttgart, Weimar: Metzler, 2018), pp. 102-5.
- Krylova, K., ‘Restoring a Home: Restorative and Reflective Nostalgia in Anna Mitgutsch’s House of Childhood’, in Bex Harper and Hollie Price, eds, Domestic Imaginaries: Navigating the Home in Global Literary and Visual Cultures (Basingstoke: Palgrave Macmillan, 2017), pp. 149-167.
- Krylova, K., ‘Disturbing the Past: The Representation of the Waldheim Affair in Robert Schindel’s Der Kalte’, in Stephanie Bird, Mary Fulbrook, Julia Wagner and Christiane Wienand, eds, Reverberations of Nazi Violence in Germany and Beyond: Disturbing Pasts (London: Bloomsbury Academic, 2016), pp. 107-23.
- Krylova, K., ‘Genre and Memory in Margareta Heinrich’s and Eduard Erne’s Totschweigen and Elfriede Jelinek’s Rechnitz (Der Würgeengel)’, in Garin Dowd and Natalia Rulyova, eds, Genre Trajectories: Identifying, Mapping, Projecting (Basingstoke: Palgrave Macmillan, 2015), pp. 66-85.
- Krylova, K., ‘Universität: Die linke und die rechte Stiege’, in Wilhelm Hemecker and Konrad Heumann, eds, Hofmannsthal: Orte (Vienna: Zsolnay, 2014), pp. 117-37.
- Krylova, K., ‘Melancholy Journeys in the Films of Ruth Beckermann’, Leo Baeck Institute Year Book, 59/1, 2014, 249-66.
- Krylova, K., ‘Kranksein an der Zeit: Time and Space in Ingeborg Bachmann’s Malina’, Germanistik in Ireland, 8, 2013, 73-86.
- Krylova, K., ‘Hofmannsthal and “die göttliche Briehl”’, Studia austriaca, 21, 2013, 117-30.
- Krylova, K.‚ ‘Thomas Bernhards Auslöschung: Der Umgang mit dem Herkunftskomplex’, in Johann Georg Lughofer, ed., Thomas Bernhard: Gesellschaftliche und politische Bedeutung der Literatur (Vienna: Böhlau Verlag, 2012), pp. 189-200.
- Krylova, K., ‘‘Ein Wahnsinniger, der die Fakultäten vermischt’: Interdisciplinarity and Ingeborg Bachmann’s Das Buch Franza’, in Jens Elze et al., eds, Möglichkeiten und Grenzen der Philologie, Friedrich Schlegel Graduiertenschule für literaturwissenschaftliche Studien, Freie Universität Berlin (Germanistik im Netz: 2011), pp. 163-70.
- Krylova, K., ‘Ingeborg Bachmann zwischen Provinz und Metropole’, in Wilhelm Hemecker and Manfred Mittermayer, eds, Mythos Bachmann: Zwischen Inszenierung und Selbstinszenierung (Vienna: Zsolnay, 2011), pp. 72-90.
- Krylova, K., ‘‘Eine den Menschen zerzausende Landschaft’: Psychotopography and the Alpine landscape in Thomas Bernhard’s Frost’, Austrian Studies, 18, special issue on ‘Austria and the Alps’, 2010, 74-88.
- Krylova, K., ‘A city where one must suffer the past: Vienna and Austrian identity in Ingeborg Bachmann’s Malina’ (abridged version of 2010 Sylvia Naish Research Student Lecture), Friends of Germanic Studies newsletter, Institute of Germanic and Romance Studies (IGRS), University of London (November 2010), 16-19.
- Krylova, K., ‘Melancholy, Topography and the Search for Origin in Ingeborg Bachmann’s Drei Wege zum See’, German Life and Letters, 62/2, 2009, 157- 73.
- Krylova, K., ‘The Function of the Analyst: Bachmann’s Malina Read Through Lacan’, Focus on German Studies, 14, 2007, 37-49.
- Davies, C., Krylova, K., Weigt, A., ‘Der Intellektuelle zwischen Elfenbeinturm und Öffentlichkeit. Annäherung an eine kontroverse Figur’, in Jürgen Trabant, ed., Projekt Junges Europa 2 (Hannover-Laatzen: Wehrhahn Verlag, 2006), pp. 133-45.
Dissertation (Titel): The Legacy of the Second World War, Topography and Identity in the Works of Ingeborg Bachmann and Thomas Bernhard
Dissertation - Jahr der Publikation: 2013
Herausgebertätigkeit:
- Krylova,K. and Schonfield, E., eds, Thomas Bernhard: Language, History, Subjectivity (Leiden: Brill, 2023)
- Matthes, F., Osborne, D., Krylova, K. and Aspioti, M., eds, Politics and Culture in Germany and Austria Today: Edinburgh German Yearbook 14 (Rochester NY: Camden House, 2021).
- Schonfield, E. and K. Krylova, eds, Heiko Berner: Photo Illustrations for Thomas Bernhard's 'A Child'/ Fotografische Illustrationen zu Thomas Bernhards 'Ein Kind' (School of Modern Languages and Cultures, University of Glasgow, 2019, exhibition catalogue).
- Krylova, K., ed., New Perspectives on Contemporary Austrian Literature and Culture (Oxford: Peter Lang, 2018. Studies in Modern German and Austrian Literature series).
Verbindung mit wiss. Gesellschaften :
- Ingeborg Bachmann Centre for Austrian Literature and Culture, University of London (Member of Advisory Board)
- The Higher Education Academy (Fellow)
- Women in German Studies (Secretary 2015-2019; member since 2011)
- Association for German Studies in Great Britain and Ireland (Member)
- Austrian Studies Association (Member)
- British Association of Film, Television and Screen Studies (Member)
Weitere Angaben zu Forschungs-, Verwaltungs- und Lehrtätigkeiten: Reviews Editor, Austrian Studies
Stipendien: Aberdeen Humanities Fund Development Trust Research Award (2019-2020), Leverhulme Early Career Fellowship (2012-2015), AHRC Doctoral Studentship (2007-2010)
Zusätzliche Kurzinformationen: MA, MPhil, PhD (Cantab)
Letzte Aktualisierung: Fri Aug 11 03:15:30 2023